On my last visit to Tokyo it seemed like the rockabilly-guys-in Yoyogi-Park phenomenon was fading. Well, there was just this guy one time:
…So I was delighted to find out that Japanese Rock ‘n’ Roll is not dead, it lives in Honolulu and it’s name is Bari Bari 13!
Tommy (Lead Guitar and Lead Vocals), Shingo (Bass Guitar and Vocals) and Kenji (Drums and Vocals) dress in black leather and dark sunglasses, even in dark, sweaty Anna Bannanas where I saw them last, exhort the crowd to Rock ‘n’ Roll while their cute-enough-to-eat girlfriends and wives throw pre-arranged dance moves in the front row. Shingo also tends to take his top off after a couple of numbers.
“It’s a long and complicated story about how the punks took over the dance floor and the dance floor took over the punks.” So says the blurb on GRLFRNDS’ Myspace page, which also lists some very tasty influences: The Clash, Joy Division, New Order, M83 and the Yeah Yeah Yeahs.
Anyway, GRLFRNDS are Nick Ross (guitar), Alex Kaiser (vocals), Jake Achitoff (synth), Nate McCurdy (drums), Ryan (bass) and, I think, one of the most exciting bands playing in Honolulu right now. Their synth-heavy, high-energy, dancey, punky sound brings to mind the neon-saturated days of British post-punk, New Wave–the lead singer even adopts a convincing British accent when he sings. GRLFRNDS’ live shows will make you want to dance. They will dance. Alex throws some moves on stage while wrapping the mic cord around his neck and Ryan looks like he might hurt himself he’s bouncing around so furiously. Nick plays so hard his fingers bleed (see above photo) but Jake, well, he just chills with his synth by the side.
News: The Star-Bulletin’s owner bought the Advertiser David Black will try to find a buyer for the Star-Bulletin, or otherwise shut the paper down. This doesn’t look good; Honolulu is looking like becoming a one-paper city and there’s certain to be lay-offs.
By Night: ARTafterDARK returned after a three-month break. Last night’s event reflected the current exhibition on view at the Academy of Arts until July 3rd, Mad For Modern: From Whistler to Warhol. Clones of the Queen played in the Courtyard, while DJ Nicky Savage was at the Pavilion. There were docent-led zip tours, live figure sketching by artist Lauren Roth and, of course, yummy food and drinks–thanks to Town/Downtown.
GRLFRNDS played Anna Bannanas on Friday; they were actually opening for Choda but I left before them. A few tuning difficulties couldn’t stop them. This band has some of the most energetic performers–bassist Ryan at one point jumped onto the dancefloor, while still playing, then did this crazy back-bend over the rail; the guitarist’s fingers were bleeding over the strings. Not the synth-player though; he just kinda stands there.
The Hell Caminos are a Psychobilly band whose music mixes rockabilly, punk and swing. Band members are Michael Camino (upright bass), Nick Danger (guitar), and Handsome Jack (drums).
From January 2009 they took a long hiatus, returning in January 2010 with a typically manic show at The Loft in Chinatown, where they opened for L.A band Spooky. Their world, they say, is full of voodoo roads, slinky dames, and cheap honkytonks.
A Hell Caminos live show is high-energy and always feels like it is on the edge of something. It’s a twitchy, unsettling feeling that fits their description of themselves as “living on caffeine, sleep deprivation and women.” I love the upright bass, which Michael lifts up and spins around. Oh yeah and all the band members are not too hard on eyes at all. The crowd at their shows is also a beautiful sight; lots of gorgeous tattooed girls in cool dresses.
I caught them this past Friday at Anna Bannanas. They were up before the ska band Black Square and the show was part of the ‘Last Days of Annas’ series: a bunch of live shows that will run until Annas tragically closes this April.