Over at AudioFemme, I reviewed Robyn and Röksopp’s New York stop on their Do It Again tour. Here’s a few extra pictures, including warm-up act, Zhala.
As much as I loved them, I never got the chance to see Pulp during their early-mid-nineties heyday. Even when they announced they would be reforming to play a few dates last year, it seemed like it was just not meant to be — the first summer in three years that I didn’t spend time in Sweden, and they played there, at the Way Out West festival.
I might have missed out again if my friend Strippertweets hadn’t posted a link to their website announcement that they would play San Francisco and New York City. I agonised over whether to see them in SF or NY; furiously battled Ticketmaster’s website to get a ticket for a show that sold out within one minute, booked a flight and ultimately spent way too much money to see one band. It was worth it. I was not going to miss Pulp again.
While the all-seated space of Radio City doesn’t much lend itself to crowd participation, it was a treat to be inside of the venue. I was standing in the line for a glass of champagne (socialism?) when green letters began flashing across the stage: “You’re looking good.” “Shall we do it?” A couple of lines from Mis-Shapes spoken in a mechanical voice, then the those spacey, synth-y first bars of Do You Remember the First Time? (my first favourite Pulp track) struck up and hung in the air for a minute. Then there was Jarvis: stalking sleazily across the stage; bouncing and kicking as the song built — the whole crowd seemed to leap at that part near the end that goes “oh yeah, you wanna go home; you wanna go home. Hey!”
Between songs Jarvis regaled his audience with stories, musings, “interesting facts,” the riff from Louie Louie and London Soho/Charing Cross geography. “you haven’t come here for a night of spoken word have you? Sorry.’
During This is Hardcore he fell to his back and scissored his legs in the air; in F.E.E.L.I.N.G.C.A.L.L.E.D.L.O.V.E he dashed and posed his way up the sides of the hall, followed by a spotlight.
Even songs that might have sat awkwardly out of their mid-nineties home sounded just about as relevant as they were then. Sorted for E’s and Whizz, a song I haven’t listened to for probably 10 years but still know all the words to, sounded great accompanied by green lasers swooping across the crowd; and I sang along to the chorus of Disco 2000 (“Let’s all meet up in the year 2000”) with neither shame nor regard for the passage of time.
The first encore ended, inevitably, with Common People, and the night finished with Mis-Shapes — a song I don’t care much for, but danced and sang along to regardless. Post-match analysis, however, centered on the unexpected inclusion of Bad Cover Version, from 2002’s much-maligned We Love Life.
In the end, I only missed Lipgloss, but I didn’t even notice it was missing until a few hours later, so… This was everything I wanted from a Pulp show and more. And I don’t mean just for a reunion tour; Pulp could have been proud of this show in 1995.
Pulp @ Radio City Music Hall, NYC 4/11/12 – SETLIST
Do you remember the the first time?
Sorted For E’s and Wizz
Feeling Called Love
This is Hardcore
Like a Friend
Bad Cover Version
Related: apparently the mid-nineties Hole line-up was back on stage last weekend. Reunion tour please?
It rained from before we arrived until after we left. It did not stop raining. I got a cold. The rain made my cold worse. I was miserable. We lined up by the stage to wait and our feet sank into the mud as the announcer told us she was not coming on for another half hour.
Then she arrived and it was worth all of it. Fever Ray’s performance at the Where the Action is Festival in Stockholm on Saturday night was spellbinding: costumes out of a child’s story-book, vocal pitches that varied from sweet and child-like to threatening and monstrous and a dreamy laser you could lose yourself in.