The Art of the Faroe Islands
I arrived in the Faroe Islands fairly well-versed in the islands’ musical and literary heritage, but with little grasp of the visual art scene there. In fact, the only encounter with Faroese art that I can recall previously was Tróndur Patursson’s glass bird installation at Reykjavík’s concert hall, Harpa a few years ago.
Upon arrival in the Faroe Islands I met some of those birds again, this time fluttering across windows and hanging from the ceiling throughout the tiny Vagar airport.
Always working with the nature he lives with in the Faroes, Patursson’s glass work appeared again at The Nordic House, this time taking the shape of the mountains. In the photo below, outside the window, Hans Pauli Olsen’s bronze sculpture, “Pilot Whale Killing,” plays with depths and explores that controversial Faroese tradition, the annual pilot whale hunt.
The Nordic House is filled with art works; paintings, sculptures, lithographs and glasswork, by Faroese artists who also include Guðrið Poulseon, Jóhannes Geir and Edward Fuglø.
Fuglø’s work, “Microstate Hiker” was unfortunately on loan when I visited, but I was able to see more of his work at the hotel I was staying at, Hotel Føroyar. “Nation Building” (in the photo at the beginning of this post) was the first to strike me as I saw it hung over the staircase to the hotel’s restaurant. In it, the Faroese flag is created out of food packaging, most of which seem to be imported. The piece seems to comment on ideas of independence and self sufficiency in a nation not wholly independent and (because of the rugged terrain where vegetables do not grow easily) dependent upon imported foods. It’s worth remembering that the practice of pilot whale hunting came to be because it was once a real struggle to find food to eat here.
I was soon seduced by Fuglø’s work, filled with surreal elements and comments on Faroese identity. The below piece, in the hotel’s lounge, is called “Cosmic Event” and superimposes a flying saucer over a vintage wedding scene.
This one, in the reception area. I don’t have the title of as the third panel had been removed when I went to take a last look and photo of it. Again, though, Fuglø is obviously playing with ideas of identity.
You can see more of his work here: http://www.edwardfuglo.com/works.html